Ari Rosenschein, Author at BOSS Articles

A groundbreaking guitarist with an arsenal of sonic tricks, Stevens is the latest recipient of the BOSS Lifetime Achievement Award.

Four-string icon Bakithi Kumalo talks about township beginnings, playing with Paul Simon, and encouraging the next generation of musicians.

Guitarist to a host of A-list artists, Ari O’Neal gives the details about her dramatic discovery story, influences, and BOSS pedal faves.

The multi-talented producer/guitarist dishes on Bristol’s musical mojo, the BOSS RE-202, and the supernatural power of delay.

“Blue Orchid” is a highlight of the White Stripes’ catalog. Read about the alternative classic and how to get its sound with the BOSS Katana.

The Van Halen classic maintains a hold on rock fans and guitar heads. Learn about the song and how to capture its tone with the BOSS Katana.

Liam Finn discusses playing in Crowded House, essential BOSS gear, and how livestreaming is helping him craft a new album.

The prolific artist opens up about his varied career, sound theories, and lengthy history with the Space Echo leading to the BOSS RE-202.

Thundercat is a new school bass hero. Explore his song “Funny Thing” and learn how to get its sound with the BOSS Katana.

The BOSS GX-100 is a powerful guitar effects processor with a sleek, ultra-modern design. Meet the tone chasers behind many of its sounds.

Beatboxing master Rythmind demonstrates how he created his track “Back to the Underground” using the RC-505mkII.

French beatboxer extraordinaire Saro shows exactly how he crafted his track “Walk” using solely the RC-505mkII and his voice.

Enigmatic beatboxing behemoth Inkie demonstrates exactly how he created his eerie track “Switcher” using the RC-505mkII.

Learn from artists in the global Swissbeatbox community as they showcase the powerful features and functionality of the BOSS RC-505mkII.

To many, the Space Echo is the ultimate tape echo. BOSS engineers share how they analyzed and captured this classic sound for the RE-202.

The FZ-1W Fuzz is a totally new pedal with a fresh take on the sound of ’60s units—reimagined for modern players. Learn how it came to be.

With the release of the EURUS GS-1, BOSS is moving into an entirely new realm. Yoshi Ikegami shares the vision behind the instrument.

John Browne of prog heavyweights Monuments gets down and dirty with the HM-2W, putting it through three heads and reporting on his findings.

A true authority on heavy metal, few guitarists are better equipped than Ola Englund to explore the distorted depths of the Waza Craft HM-2W.

Colin Scott of CSGuitars spent quality time with the BOSS HM-2W, returning with a deep-dive technical exploration of the Waza Craft pedal.