From the street to the stage—one-man-band sensation Lewis Floyd Henry talks viral mashups, BOSS pedals, and the Roland CUBE Street EX sound.
Emma Ruth Rundle discusses artistic identity, These Killing Times, and the enduring role of BOSS and Roland gear in her creative process.
The Juliana Theory founding member and guitarist discusses his new solo project and the BOSS gear that has been with him every step of the way.
“Paint It Black” is a landmark Rolling Stones single, known for its haunting sound and distinctive instrumentation. Learn how to capture the grief-stricken tone with the BOSS Katana.
Explore wireless AND LOOPING
Find out how global superstar Ariana Grande uses the BOSS RC-505 in her new Vevo video series and learn about her looping history.
Break down the differences between the RC-300 and RC-600. Then, learn how the RC-600 takes the BOSS loop station legacy to the next level.
With its two tracks, versatile drum grooves, and rhythmic effects, the RC-500 is the perfect creative companion. Discover how to utilize it.
Whether you have volume issues because you live in an apartment, have young kids, tour, or travel, Waza Air is the perfect practice companion.
A wireless expression pedal opens up worlds of creativity. Learn how the EV-1-WL can expand your sound by controlling effects parameters.
The Ultimate BOSS Katana Buyer’s Guide
Katana combines precision engineering, breakthrough technology, and decades of experience to produce its sound. Explore the whole series.
Reverberations: Lewis Floyd Henry
From the street to the stage—one-man-band sensation Lewis Floyd Henry talks viral mashups, BOSS pedals, and the Roland CUBE Street EX sound.
Reverberations: Emma Ruth Rundle
Emma Ruth Rundle discusses artistic identity, These Killing Times, and the enduring role of BOSS and Roland gear in her creative process.
Reverberations: Josh Fiedler of The Juliana Theory
The Juliana Theory founding member and guitarist discusses his new solo project and the BOSS gear that has been with him every step of the way.
Patch Work: “Paint It Black” by the Rolling Stones
“Paint It Black” is a landmark Rolling Stones single, known for its haunting sound and distinctive instrumentation. Learn how to capture the grief-stricken tone with the BOSS Katana.
Patch Work: “Paranoid” by Black Sabbath
Black Sabbath’s “Paranoid” is 2:48 of relentless nervous energy. Learn the licks and snag the tone with the BOSS Katana.
Reverberations: Joshua Mobaraki of Wet Leg
Wet Leg guitarist and keyboardist Joshua Mobaraki unpacks his BOSS-driven rig, including the WAZA Tube Amp Expander Core, ES-8, and TU-3.
Ten Reasons Every Katana Amp Owner Needs a KATANA:GO
Already in the Katana ecosystem? The KATANA:GO is your next step. This pocket-sized powerhouse lets you plug in and play anywhere.
What is the WAZA Tube Amp Expander?
Harness the full expressive power of your favorite tube guitar amplifiers with these powerful stage and studio tools.
Ten Reasons Every Guitarist Needs a Katana-Mini X
Whether you’re a beginner or a seasoned pro, the Katana-Mini X empowers you to get creative and play anywhere, anytime.
Patch Work: “Supermassive Black Hole” by Muse
“Supermassive Black Hole” was a commercial and critical success. Read about the seductively sleek rocker and learn to get its sound with the BOSS Katana.
Reverberations: Lewis Floyd Henry
From the street to the stage—one-man-band sensation Lewis Floyd Henry talks viral mashups, BOSS pedals, and the Roland CUBE Street EX sound.
Reverberations: Emma Ruth Rundle
Emma Ruth Rundle discusses artistic identity, These Killing Times, and the enduring role of BOSS and Roland gear in her creative process.
Reverberations: Josh Fiedler of The Juliana Theory
The Juliana Theory founding member and guitarist discusses his new solo project and the BOSS gear that has been with him every step of the way.
Patch Work: “Paint It Black” by the Rolling Stones
“Paint It Black” is a landmark Rolling Stones single, known for its haunting sound and distinctive instrumentation. Learn how to capture the grief-stricken tone with the BOSS Katana.
Patch Work: “Paranoid” by Black Sabbath
Black Sabbath’s “Paranoid” is 2:48 of relentless nervous energy. Learn the licks and snag the tone with the BOSS Katana.
Reverberations: Joshua Mobaraki of Wet Leg
Wet Leg guitarist and keyboardist Joshua Mobaraki unpacks his BOSS-driven rig, including the WAZA Tube Amp Expander Core, ES-8, and TU-3.
Ten Reasons Every Katana Amp Owner Needs a KATANA:GO
Already in the Katana ecosystem? The KATANA:GO is your next step. This pocket-sized powerhouse lets you plug in and play anywhere.
What is the WAZA Tube Amp Expander?
Harness the full expressive power of your favorite tube guitar amplifiers with these powerful stage and studio tools.
Ten Reasons Every Guitarist Needs a Katana-Mini X
Whether you’re a beginner or a seasoned pro, the Katana-Mini X empowers you to get creative and play anywhere, anytime.
Patch Work: “Supermassive Black Hole” by Muse
“Supermassive Black Hole” was a commercial and critical success. Read about the seductively sleek rocker and learn to get its sound with the BOSS Katana.
EXPLORE PEDALS
This essential vintage metal trio includes the genre-defining Heavy Metal, full-bore HYPER Metal, and ‘80s rock-inspired Digital Metalizer.
What does it take to keep world-class artists performing at their peak? For more than 20 years, James Sharpe has been finding out from the front line. He’s teched for a remarkable roster of major musical acts, from chart-topping pop and rap to pioneering ’70s punk and progressive metal. Sharpe’s long list of clients includes
From the street to the stage—one-man-band sensation Lewis Floyd Henry talks viral mashups, BOSS pedals, and the Roland CUBE Street EX sound.
Emma Ruth Rundle discusses artistic identity, These Killing Times, and the enduring role of BOSS and Roland gear in her creative process.
Skunk Anansie guitarist Ace reveals the all-BOSS “workhorse” pedalboard behind his live sound and why the GT-1000 remains his top fly rig.